sailboat watercolour painting

Jenna Rainey

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A highly creative nerd with a unique breed of humor and the proud earner of a self-bestowed award for being the world’s most curious and driven human.

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Watercolor Sailboat

Jenna .

This week, I'm teaching you how to paint a quick and easy watercolor sailboat landscape!

When I don't have a lot of time or I just want to play with colors and basic shapes, I paint loose-style. It's just whimsical and fun!

This watercolor sailboat takes less than 10 minutes to paint but includes simple techniques to inspire and spark creativity. This is a great tutorial for beginners, too!

Watercolor Sailboat Step by Step

00:00 – Intro. 00:32 – Color mixing. 01:06 – Painting the sail boat. 02:16 – Painting waves. 03:01 – Painting trees and background. 04:53 – Painting the sky. 06:14 – My thoughts on the painting. 06:51 – YOUR thoughts?

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How to Paint a Sailboat Watercolor Painting Tutorial

Sailing is one of my favorite things to do and painting sailboats is almost as fun! This lovely sailboat flew in the wind on Somes Sound on Mount Desert Island, Maine. It was one of those perfect sailing days. The light sparkled, the wind blew steadily and the last of summer heated the air. Since I didn't have a sailboat there, I sketched and took photos of the sailboats moving up and down the Sound.

The shimmering water is the tricky part of this painting. It's a great opportunity to practice your dry brush! This painting needs rough press paper to get that sparkling water. The rest of the painting is simple. Trees in the distance and a pared down palette. Keep the colors and your brush strokes simple. Sailing at its finest on a summer day in Maine!

Painting Tutorial Level

Skill Building

M. Graham watercolors

Painting Demonstration 1

Always sketch very lightly in watercolor since most pencil lines will show. You want the focus on the painting, not the drawing. Unless, of course, you're highlighting the pencil lines!

Since I'm painting a light object with a lot of brushstrokes around it (for the water) I can either mask it out, preserve highlights with wax or use white gouache. I decide on a combination of the last two since they feel more spontaneous than masking and I don't have too many bright highlights.

When you use a wax crayon, always remember it's there for better or worse. It will not come off and leave paper the same!

Disclaimer: Jennifer Branch Gallery is a participant in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means for sites to earn advertising fees by advertising and linking to amazon.com. I receive a small rebate for your entire order (starting at 4%) if you choose to purchase through Amazon. Most items can be bought multiple places and I highly recommend local art stores if you have one! Any other recommendation links I receive no compensation for. These referrals help me support this website, and I thank you for any purchase you make through them. I will never recommend a product I have not used frequently and believe is the best tool for the purpose!

Painting Demonstration 2

I want barely there water sparkling in the background. Very pale highlights and dark shadows, so dry brush is the solution! Dry brush and texture is why I chose the rough press paper, after all.

With a tricky dry brush where every stroke shows, I like to test the brush a few times on an area of the painting that isn't quite so tricky or a scrap of paper. As you can see, I got the texture just right in the trees at the upper part of the painting. Some extra texture there is perfect and it will be dark enough the individual strokes don't show.

Since all those strokes show up in the water, make them count! Move your brush with the waves. Notice how highlights show up in horizontal swathes across the water. Work with the water, not against it.

A squirrel hair brush is perfect for hit and miss dry brush like this. It barely touches the ridges of the paper so you can really get that sparkle!

Painting Demonstration 3

Since this is dry brush, there's no time between washes! I continue moving around the painting, using slightly varying blues and values. This gives me that great water shimmer! If some of the dry brush hits a still wet area, great! that gives a natural feeling variation.

I still keep everything light in value in this wash. I don't want thick sludgy paint, but effervescent sparkle!

Artist Tips

Painting Demonstration 4

Now that dark background! I want a bit of a a golden glow, but subtle instead of harsh so I use quinacridone gold. This is one of the few paintings I never use a yellow in!

I paint a loose wet brush on dry paper wash of the gold, then drop in pthalocyanine green. I'm keeping it loose since the background is not the focus, the sailboat is!

The reflection of the sailboat is also a golden glow in the water, so I use quinacridone gold again. I'm still painting dry brush since I want the water to sparkle there too, not be dulled. The reflection is also a shadow which makes it quite complicated to paint.

Painting Demonstration 5

Now it's time to turn the golden green into hazy rich darks. While it's drying, I move maroon perylene into the trees to darken them. The rich red helps with the strong, clear color. Then I scrabble in ultramarine blue to make the trees green again. Finally, I add cobalt blue for the slightly opaque haze.

I dash quinacridone dry brush on the wooden mast. A bit of ultramarine blue and pthalo green gives shape to the boat.

Painting Demonstration 6

After the painting has dried completely, I start on the sail. The gorgeous sail is really the star of the painting so it's fun to finally start painting it! Still, it has to be kept simple since there really isn't much to the sail. Quinacridone gold gives the faint glow of the reflecting sun.

I continue adding texture and color to the waves. I need strong darks to balance out the background trees.

I keep a light hand on the waves since the lovely shimmering could be destroyed with a few strokes too many!

Painting Demonstration 7

The last stage is the details and it's hard to keep them from getting too fussy!

I continue the details on the sail. I use the top mainsail reinforcement as an excuse to dull down the arrow pointing the viewer out of the painting!

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How to Paint a Sailboat Final Watercolor Painting!

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Watercolor Boat Painting Tutorial

Want to paint this watercolor boat painting? Follow the step by step instructions (including video at the end) and see how easy this can be!

I just can’t resist painting boats in watercolor. The colors, the details, the sun and shadow – all come together to make painting these watercolor boats so much fun. In this watercolor boat tutorial I break down all the steps and show you how you can paint this scene. Boat watercolor paintings can seem daunting but if you take things slowly it’s amazing how they come together.

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Watercolor materials needed.

• Mechanical pencil
• Watercolor paper (I like Fabriano Artistco 140lb cold press)
• Permanent rose
• Vermillion/pyrrole red/naphthol red
• Ultramarine blue
• Cobalt blue/cerulean blue
• Yellow ochre
• Lemon yellow
• Burnt Sienna
• Value Scale
• Color isolator
• Palette/paper towels/water pot
• Small spray bottle of water

Watercolor Boat Drawing

The drawing for this painting is pretty important. Sometimes I won’t put much detail into a drawing and just indicate the main shapes. For instance a landscape with trees can be pretty sparse in the drawing. All the detail and texture goes in by eye with just paint. But for this scene there is a lot going on and we want to indicate the position of a lot of different things.

Using a Grid Helps With Drawing Accuracy

I did this drawing by eye but, if you’re not confident with your drawing, you can grid up your paper lightly with pencil and draw it square by square. That way you can be sure you’re getting everything in the right place. It’s not a foolproof method but it gives you far less room for error. I’ve included a gridded up version of the reference below.

The aspect ratio of the photo is the same as for a 10″x14″ piece of watercolor paper. If you mark your paper into quarters on each side and join them up to make a 4×4 grid you can transfer the drawing more easily onto your paper.

Take Some Time to Make a Plan for Your Painting

Before we dive into the painting it always helps to take a few minutes and plan out what you’re going to do. It can be hard to do this – we want to jump straight in and get those brushes moving and paint splashing around. But a few minutes thought at the start always makes for a better painting. We can spot possible problem areas and make sure we know roughly how we’re going to proceed.

Which Direction is the Light Coming From?

I first make note of where the light is coming from and where the shadows fall. In this case the sun is on our right and the shadows are falling on the left. This is always good to keep in the back of your mind. If the reference is unclear in some areas you can work out how the lights and darks should fall even if you can’t make it out from the photo.

Where are the Lights and Darks?

The next thing I do is note where my lightest lights are and my darkest darks. Once we’ve located these then we know that everything else has to fall somewhere between those areas. In this case our lightest light is the white hull on the left boat. The darkest darks are in the shadow underneath the boats and possibly inside the cabins. I keep this in mind. Nothing else can be darker or lighter than these areas.

Where are the Main Shapes and Values?

This one is trickier but it pays off giving it some thought. Even though there’s a lot of detail going on in this photo I like to break it down into 4 or 5 main value shapes. In this case I would estimate (or measure using our value scale) the value of the following areas

• The hulls of the boats (in light and shadow)
• The cabins of the boats (in light and shadow)

This may seem like a lot to work out ahead of time but getting those big value shapes right is an enormous help getting a scene to hang together and getting it to be convincing.

Identify a Few of the Colors

Doing some test mixes of a few of the main colors can also be a good idea. It’s much easier to do this before the painting. When you’re in the middle of the painting there’s so much going on it’s hard to stop and think about this. It’s a bit like prepping for a recipe. Getting all the ingredients measured out ready ahead of time makes putting a meal together much easier. (Not that I ever really do that – but I should!) In this painting I mixed as I went along but it’s a better idea to try out your color mixes at the start. If you think you can’t remember how you mixed your colors then putting a pencil note next to the swatch is a good idea. It’s doesn’t have to be anything complicated – just a list of the colors is enough.

Watercolor Boat Painting – Finally we Paint!

So let’s start painting. We’re going to paint this in layers and build up the painting from light to dark. We’re first going to block in all the shapes with their lightest colors. Once those are dry we can go back in and add in the darks. This way of working takes a bit of getting used to. As we’re starting with the light colors of all the shapes things won’t start to look three dimensional until quite late on in the painting.

I have many more step-by-step tutorials and videos!

We want things to look flat to start with..

If we put in too much value variation in the early stages then the darks won’t make as much impact when we put those in. In these early stages try and match the color and value as best you can to the reference. And, most importantly, keep these early washes even. Don’t be tempted to try and make things look right at this stage. It takes a bit of faith but once you get used to it it will all make sense.

Keep Going With the Light Values

Keep going across all of the main shapes of the boats. One thing to remember is that we’re putting in the light value of each different shape but these values may vary from shape to shape. For instance, the hull of the red boat is a bright orange-red in the light. The actual value of this is around a 5 i.e. mid-way down the value scale. If we compare this to the beige area above we can see that it’s a little darker. The beige area in the light is around a 7 but it’s still in the light.

Similarly the red stripe on the left hand boat is around a 4 (i.e. darker than a mid-value) in the light. If you have a value scale and a printout of the reference you can measure the values directly. If the color is distracting (and it can be with bright colors like these) squint your eyes and it becomes easier to judge value.

Use the ChromaMagic Tool to Measure Color

Alternatively you can load up the reference in ChromaMagic and click on different areas. It will show you the three components of the color – hue, value and chroma. The color notation is part of the Munsell way of measuring color. It is incredibly useful in painting and makes color very straightforward to analyze.

Paint in the Sea in the Background

The sea in the background goes in next. This is a fairly dark blue and helps to tie the boats in the scene and give us some depth.

As you can see at this point the painting isn’t looking three-dimensional. Don’t panic! This is exactly how it should be looking at this point.

Paint in the Sand Around Your Watercolor Boats

Next we’re going to put in the sand. I really like this bit as we get to put in some texture with our spray bottle. One thing to be careful of – sand isn’t yellow. Or rather it is yellow but a very grayed out low chroma yellow. In this scene it’s a kind of beige so make sure you add in some black to your mix to take out some of the brightness. I’ve made the mistake of painting sand far too bright in color many times. Again mixing a swatch of color beforehand helps a lot as does using ChromaMagic for checking the chroma.

Use a Spray Bottle to Add Texture

While your sand wash is still wet take a spray bottle of water and lightly spritz the surface. If the paper is the right level of dampness the water will add small sparkles and splodges in the paint. It adds some interest and texture to the foreground. This can take a bit of practice to get right. If the paper is too wet the water will just disperse and disappear. If the paper is too dry the water won’t do anything at all.

Watercolor Boat Painting – Add the Sky

Note: I’ve got the order slightly wrong here. I’ve already put in some of the darks on the boats before doing the sky. The order doesn’t really matter. You can put in the sky before the shadows and everything should work out fine.

Let’s put in some sky now. The reference photo doesn’t really have much in the way of clouds and I didn’t really want a big expanse of blue up there. So I’ve invented some cloud shapes. You have a lot of freedom here. Put in some blue around wherever you fancy the clouds to be. While the paint is wet take a clean (very clean) damp brush and soften the edges of the clouds. The blue pigment will diffuse out into the damp areas of paper making lovely soft and convinving clouds.

Watercolor Boat Painting – Second Layer Darks

Now this bit is where the painting starts to come to life. We’re going to put in the shadow sides of the objects and make them look three-dimensional. Adding in these contrasting areas also helps the visual impact of the scene and it will make the image more interesting as well as more realistic.

Don’t Add Color in the Light!

We’ve already painted in the light sides of our objects so we won’t be putting any color in there at all. We’re just going to paint in the shadow colors on mostly the left sides. Make sure your colors are at least a couple of shades darker than your light sides and things will start to take shape. When you get to the insides of the cabins we’re even darker as very little light is getting in there – you don’t need to paint things – just a few dark shapes at different angles will suggest a lot of detail.

Be careful with the shadow on the white hull. We don’t want to go too dark here and keeping that shadow light will really suggest strong sun.

Add a Cast Shadow to Anchor the Boats to the Ground

Finally add some cast shadows on the sand and right at the bottom of the boats. This will make the boats convincingly anchored to the ground.

The Magic Bit – Details on Your Watercolor Boat Painting

By this point you should have something that’s looking pretty three-dimensional. This next bit really adds sparkle and interest to your watercolor boat painting! We’re going to put in some lovely details. Put in the masts and rigging with a small synthetic brush. Make sure they’re not too dark – a mid value gray is plenty dark enough here. The other thing to take care with is not to make your lines too continuous. Leave a few gaps here and there as it will make the masts more convincing than if you carefully paint them in one continuous line.

Continue with the masts and smaller details. Add in a few lines for the railings and the ropes holding the buoys. A few light lines on the white hull will also suggest their structure. I hope everything is looking really good by now!

Flags and Signs

We’re right at the end now. A few red marks for the flags will add a pop of color. The signs on the boat go in with an almost black background. The lettering is suggested with a little opaque white.

Final Thoughts on This Watercolor Boat Painting

If you tried this painting I hope it turned out well. I would love to see your results – please feel free to send them to me. I have also videoed the whole process and you can paint along with the full painting.

2 thoughts on “ Watercolor Boat Painting Tutorial ”

Hi Michele, Kathy Martinez here. I am working with the ColorMagic tool. Love it except for one problem I am having. My monitor is a Cintiq 32 inch display that I have supposedly color corrected with an i1 display gizmo. The colors for the Munsell chips from

Kathy your program don’t come through to match my big book Munsell chips. It is way off. My cintiq screen pretty matches my Ipad. Do you have any suggestions? I have just been finding the chip I have that matches the color swatches from ColorMagic, even though they aren’t the same as described in the program.

Hi Kathy – I replied by email. I was thinking that it may well be hard to match chips directly to the screen. I’m going to try with a setup that I know the colors off and see how it goes. ColorMagic will report the colors in the photo accurately but whether you can match to the display directly may not be possible. Screens give out light and chips only reflect the light so comparing them side by side is going to make the chips always look dark. But maybe there’s something else going on! We’ll see. If it’s fixable we’ll fix it.

Comments are closed.

How to Paint a Tall Ship Sailboat in Watercolour

Skill Level : 2 Intermediate

Medium : Watercolour Painting

Subject : Seascapes

Tutor : Dennis Clark

Class Length : 2 hours 20 minutes

Avg Rating : No Ratings Yet

Silver Level or Higher Class

Class Description

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Gone are the days when the ocean was filled with all types of sailing ships. Fortunately there are still some sailboats sailing the high seas. It is certainly a grand sight when a tall ship sails into a modern harbour. The sight conjours up the imagination of pirates and gun ships in battle.

In this lesson you will learn:

1.  How to paint a stormy sky to offset the light coloured sails 2.  How to paint the seas to give the impression of waves in motion 3.  How to add colour to the sails 4.  How to simplify the deck detail and shrouding and more ...

Latest Reviews

Dennis: I really enjoyed this class. Thank you for an informative lesson. Kathy KathyKuz

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Short class video.

Class Tutorial

Tall sailing ships have always captured the imagination of the adventurous. Pirates with eye patches and a hook hand and all that. What we are going to do is paint one in watercolour.

This is the photo we will be working from:

We will unfurl the last sail so that we have a better looking ship.

Masking the Sails

There is a lot of white areas to be protected so use masking fluid to do this. About ½ inch or 15mm around the edge of the sails should be enough protection.

When you have protected all areas that need to be, gently blow dry before proceeding.

Painting the Sky

With a large flat brush wet all the sky area and then float in some Cobalt Blue.

Be careful to keep the horizon straight.

Add more blue pigment to the sky mix and bring a touch of Burnt Sienna to warm it up a bit. Drop this colour into the wet sky and move it around to suit. We are looking for a darkish sky in order to contrast with the light sails. This will ensure a lovely dramatic painting.

With a bundled up tissue dab some areas to give the impression of cloud billows.

Painting the Sea

Make up a light mix of Blue and Viridian and paint the sea with horizontal strokes. Don't paint it too evenly. To be able to indicate some nice windswept waves use the two colours in horizontal lines and intermingled.

Keep the foreground darker at the lower end of the painting and lighter towards the horizon.

Now we can begin to add in the curved lines for the swells and waves. Don't overdo it and make the waves too wild. The waves will get smaller into the distance.

Because clouds show reflections from the sea surface, very carefully glaze in a few light sea colour on sections of the clouds. This creates a colour harmony between sea and sky.

Use a small round brush to paint in the shadow areas of the waves. Note that each swell will have a light refection on the top edge.

A word of warning: Don't make the swells too large in relation to the size of the ship.

Paint the dark reflection of the ship.

Dry the sea area before continuing.

Enjoying This Tutorial?

Painting the sails.

Remove the masking fluid off the ship.

With an Orange/Brown colour begin painting in all the spars and the masts. To keep them straight and even it is best to do so with a series of short strokes.

The sails are made out of a very strong cotton cloth or canvas and unless they are new sails, they will be slightly discoloured and yellow from being exposed to the harsh elements.

To achieve the aged look, start painting, or rather glazing, some Yellow Ochre over the sails.

When that has been completed, mix up a light Blue/Gray for adding the shadows on the sails. Remember to show any folds in the sails themselves.

Continue working on the shadows and eventually adding the darkest shadows under the spars. Touch up, with a light Gray for the seams at the edge of the sails.

Carefully add the other details in the sails and the shadows on the masts.

Touch up all the other smaller details in the sail areas, including the flag.

Painting the Ship

With a very dark mix of Brown made up from Ultramarine Blue and Burnt Sienna, paint the hull of the sailing ship and the lighter strip on the side.

Now comes the interesting part of this painting, and it is all the small details on the deck. In the reference photograph there is a ton of detail. Now, we are NOT going to paint all the detail as shown in the photograph.

We are going to simplify the lot by blocking in the main shapes only. Slowly build up the various tones and colours. Be careful to keep the general shapes of the sailors.

As you can see there is simply a suggestion of all the items on the deck and no details whatsoever.

Once the shapes have been painted we can now, with a small round brush add the railings.

Add Finishing Details

Paint in a gull or two for some extra movement and interest. This close-up shows just how simplified all the details are.

With some Chinese White, straight out the tube, touch up all the small areas that need White, such as the tips of the spars.

For this size of sailing ship we would not be able to paint in the thin ropes with a small brush. They would just be too thick. We will add them in with a very sharp-pointed pencil. A 0.5mm Mechanical pencil works very well here.

Notice that I am only adding in the main rigging and leaving out all the lesser ropes. It is not necessary to add them all in. The brain is well able to add them in for you.

Again, with Chinese White, add the bow wave of the ship as well as the highlights in the deck area and some of the wave tops.

To finish off I want you to notice that each sail has a slightly different brightness than the others. Don't try to keep them all the same colour.

This is what the final painting looks like:

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• Paints are available in pans of 2.5 ml and in tubes of 10 ml. Watercolour in pans is semi-dry, does not require soaking before work, the colour is easily taken on the brush immediately after opening the package. The protective membrane of foil on the tube's neck ensures the complete preservation of colour. The paint dried on the palette is re-diluted with water.

NEW!!! 33 G ranulating colours.

All paints in this series consist of two to three pigments that have different particle sizes and specific gravity. These colours fascinate by the movement of pigments in water. Most interestingly they show their extraordinary character in wet work, when a large amount of water on the sheet allows pigment particles to move unhindered. The effects of pigment lamination appear some time after the application of strokes and are best seen in dried work. In the paints there are included also special additives that stabilize the movement of pigment particles in the mixtures. The granulating paints have noble complex colours and will enrich classical painting with the original effects of granulation and lamination of pigments, inspire the creation of abstract compositions with unusual technical solutions. The nature of the effects for granulating serie significantly depends on the type of paper: the use of watercolour paper with a pronounced texture (Fin and Torchon) will increase the granulation effect.

87 classic colours (65 monopigmented).

Classical colours are traditional shades carefully selected in accordance with the request of the academic school of watercolour painting.

18 pastel colours.

Pastel colours are delicate saturated shades of basic colours created to convey the finest nuances, air shades and transitions. The series is developed with the addition of titanium white.

7 metallic colours.

The colours of the series are selected for the main natural metal shades for illustrations and paintings. They are mixed perfectly and are easily taken to the brush, preserving all the qualities of watercoulor artists' paints.

NEW!!! WHITE NIGHTS EXTRA FINE ARTISTS’ WATERCOLOURS. GRANULATING COLOURS:

Granulating colours. part 1, granulating colours. part 2, granulating colours. part 3.

Yellow Tuff

Orange Mist

Scarlet Mist

Purple Mist

Sunset Mist

VIOLET MIST

VIOLET SHADOWS

HEMATITE MIST

COBALT MIST

BLUE SHADOWS

DARK BLUE SHADOWS

SKY BLUE SHADOWS

TURQUOISE-ROSE MIST

AQUAMARINE MIST

COBALT GREEN DEEP

COBALT TITANAT GREEN

YELLOWISH GREEN MIST

GREEN SHADOWS

CHROMIUM-COBALT MIST

RED BROWN HEMATITE

AUGITE PORPHYRITE

GREY-VIOLET GRANITE

GREY-PINK MIST

CHROMIUM IRON OXIDE

GREY-BLUE MIST

SPINEL GREY

WHITE NIGHTS EXTRA FINE ARTISTS’ WATERCOLOURS. CLASSIC COLOURS:

Titanium White

Cadmium Lemon

Cadmium Yellow Medium

Naples Yellow

Indian Yellow

Ochre Light

Yellow Ochre

Yellow Iron Oxide

NAPLES YELLOW LIGHT

INDIAN GOLD

NAPLES ORANGE

GOLDEN DEEP

CADMIUM ORANGE

Website uses material from the manuscript of Elena Bazanova book "Secrets of Watercolours"(with the author's permission). Descriptions and results of testing of White Nights watercolours performed by the author during the work on the manuscript. © 2022 All rights reserved.

COLOUR RANGE & MIXING COLOURS

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• painting: boxes & sets

ST PETERSBURG Watercolour Sets

Compact case and 2 palettes made of very resistant, easy to clean plastic. It includes 12 pans of St. Petersburg White Nights watercolour. Set with 4 earth tones and 8 granulating colours. Perfect for outdoor use.

Elongated metal case, easy to carry and clean. Folds out with a sturdy, easy-to-clean metal tray and includes 21 pans of St. Petersburg White Nights watercolour. A range of 21 granulating colours perfect for travel and outings.

Beech wood box with 12 pans of St. Petersburg White Nights watercolour. Includes 1 round brush. Perfect colours for beginners. Ideal as a gift. Wood of high density, durability and hardness. Metal clasp.

Blue wooden box with 12 tubes of St. Petersburg White Nights watercolour with professional finish. Perfect for beginners and ideal as a gift. Lightweight and easy to carry. Reusable colours that dry and do not lose intensity.

Sturdy case with 24 pans of St. Petersburg White Nights watercolour with professional finish. Colour stability after drying. Extra fine, saturated colours that do not fade when thinned. Easy to transport.

Blue wooden case with 36 pans of St. Petersburg White Nights watercolour with professional finish. Perfect balance between variety, price and ease of transport. Natural binder for colour stability after drying.

Set of 24 St. Petersburg White Nights watercolour pans including mixing palette and 3 brushes. Perfect for beginners and ideal as a gift. Durable blue wooden box with professional finish. Natural binder.

Blue wooden box with 48 pans of St. Petersburg White Nights watercolour. Great variety of colours, no need to do a lot of mixing. Colour stability after drying and very saturated without losing intensity when diluted. Easy to transport.

Blue wooden box with 36 pans of St. Petersburg White Nights watercolour. It includes a mixing palette and 3 brushes. Perfect balance between colour variety and ease of transport. Colour stability after drying and variety of shades.

Blue wooden case with 48 pans of St. Petersburg White Nights watercolour. Includes mixing palette and 4 brushes. Perfect range for more concrete, exact and personal shades. Colour stability after drying. Extra fine colours.

Very sturdy, easy-to-clean white plastic box with 12 whole pans of extra fine St. Petersburg White Nights watercolour. Additional removable mixing container.

Plastic paint box for outdoor use with 12 whole pans of St. Petersburg White Nights extra fine watercolour paint. Additional removable mixing tray.

Metal box with 22 pans of granulating watercolours from the White Nights St. Petersburg range. Each colour consists of 2 or more pigments of different granulometry. Handmade watercolours of particularly fine quality.

Wooden box with 24 pans of White Nights watercolour paint and 1 round brush. Ideal as a gift. Metal clasp.

Wooden box with 48 pans of White Nights watercolour paint and 1 round brush. Ideal as a gift. Metal clasp.

White plastic box with 12 pans of White Nights watercolour paint with granulating effect. Contains two mixing areas, one of which is an additional removable palette. Compact and lightweight, perfect for travelling.

Empty metal watercolour box for 12 x 10 ml tubes of White Nights watercolour paint and 6 whole or 12 half pans. Suitable for all common brands of watercolour pans. Includes rail and two mixing zones. Very sturdy.

Metal watercolour paint box with 12 x 10 ml tubes of White Nights watercolour paint and 12 empty half pans. The colours were selected by the painter Ale Casanova. Contains two mixing zones. Perfect for travelling. Limited edition.

Very sturdy, white plastic box with 12 whole pans of White Nights watercolour paint in metallic and pastel shades. There is an additional mixing area on the lid. Perfect for travelling. Limited edition.

Plastic box with 12 whole pans of White Nights watercolour paint in pastel shades. Compact and durable. Includes 2 mixing surfaces (palette and lid). Perfect for travelling. Limited edition.

White Nights watercolour set with 12 whole pans and two mixing palettes. Compact and robust plastic box, perfect for travelling. The colour palette was developed for botanical illustrations, flower painting and decorative watercolour techniques.

White Nights watercolour box, Limited Edition Urban Landscape, with 12 pans of colours for urban themes. Includes mixing areas on the lid and palette. Lightweight and compact plastic box, perfect for painting outdoors or as a travel box.

Pocket watercolour set with 12 whole pans. St. Petersburg White Nights watercolour paint in particularly good quality. Compact and robust plastic box, ideal for travelling, studio, workshop or field work. Developed in co-operation with IWS Global.

Empty, black compact metal box for up to 14 whole pans of St. Petersburg White Nights watercolour. The rail for positioning the pans is not included. Integrated mixing palette and mixing zones in the lid.

Yellow enamelled metal box with 21 whole pans of St. Petersburg Sonnet watercolours. Handmade in Russia. Extra fine watercolour paint with excellent value for money, lightfastness and high pigment concentration.

Silver metal box with 18 pans of White Nights St. Petersburg watercolour paint in pastel shades. Extra fine watercolour paints handmade in Russia with excellent lightfastness, colour purity and high gloss.

White Nights metal watercolour box with 12 whole pans. Extra fine watercolour paint of the highest quality from Russia, characterised by its high gloss, purity of colour and lightfastness. The box is a light mauve colour.

Metal box with 21 whole pans of White Nights watercolours. Extra fine watercolours with high brightness, intensity and lightfastness. They are handmade in Russia. The box is light mauve in colour.

White Nights metal watercolour box with 21 whole pans, limited edition Elena Bazanova. Extra fine watercolour paint of the highest quality, made in Russia. High gloss, colour purity and lightfastness. The box is light mauve in colour.

Metal box with 35 whole pans of White Nights watercolours. Extra fine watercolours with high intensity, brightness and lightfastness. Handmade in Russia. The box is made of sturdy metal in a light mauve colour.

Cardboard box set of 12 tubes of White Nights watercolour paint from St. Petersburg. Developed in collaboration with the International Watercolour Society (IWS). Handmade watercolours of the highest quality, brightness, lightfastness and easy mixing.

Set of 12 tubes of St. Petersburg White Nights watercolour paint. Extra fine quality, handmade in Russia since 1934, perfect for professional and amateur watercolour painters.

Set of 24 tubes of St. Petersburg White Nights watercolours. Made with pigments of the highest quality and fineness. Perfect for professional and amateur watercolour painters. Manufactured in Russia since 1934. Excellent value for money

Cardboard box with 24 whole pans of extra fine St. Petersburg White Nights watercolours.

Plastic box with 24 whole pans of extra fine St. Petersburg White Nights watercolours.

Plastic box with 36 whole pans of extra fine St. Petersburg White Nights watercolours.

Metal box with 12 whole pans of extra fine St. Petersburg White Nights watercolours.

Metal box with 24 whole pans of extra fine St. Petersburg White Nights watercolours.

Empty metal boxes for St Petersburg White Nights watercolour pans with two integrated palette areas. Created in collaboration with the International Watercolour Society (IWS). Available in a variety of attractive colours, formats and sizes.

St. Petersburg White Nights, empty metal watercolour boxes for large pans with integrated palette area.

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Artemiranda S.L.

C/ Conde de Orgaz, 1 CP: 37005 Salamanca

+34 923 24 43 97

info@artemiranda.es

503 Mount Piney Avenue NE #686, Saint Petersburg, FL 33702

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503 Mount Piney Avenue NE #686 Saint Petersburg, FL 33702 - TAMPA BAY

For Sale MLS# U8255198

1 beds 1 baths 552 sq ft Single Family

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Details for 503 Mount Piney Avenue NE #686

MLS# U8255198

Description for 503 Mount Piney Avenue NE #686, Saint Petersburg, FL, 33702 - TAMPA BAY

Looking for the perfect vacation home or full-time residence? This is it! Priced to move, this well-maintained home features a large primary bed and bath, an open concept living/dining/kitchen area and a 200 sq. ft. screened lanai with new washer and dryer in utility closet. Look at these upgrades: HVAC system is 2024; remodeled kitchen with granite countertops, wood cabinets, newer appliances and large island to entertain guests with ease; beautiful water resistant wood plank floors with baseboards throughout--no carpet; well-appointment remodeled bath with walk-in shower, comfort height toilet and new vanity and mirror; drywall and fresh paint throughout; decorator blinds, screened lanai with new vinyl windows. Home was tented in 2024 and has assumable warranty. Economical gas water heater. Great location next to perimeter fence with large backyard with stone patio--the perfect outdoor space for privacy and to entertain guests. Two-car carport. This home is not a flip; family needs to sell. Price includes share for the lot and ownership in the Co-op. Low monthly maintenance fee of $360 includes water, sewer, 24 hr manned gate, trash pick up, lawn care, seawalls, private streets and all amenities including fitness, heated pool, clubhouse and more than 30 clubs. Two indoor cats are welcomed! Use as an investment property as renting is allowed with two-month minimum. Don't miss this exceptional value!

Listing Information

Property Type: Residential, Mobile Home

Status: Active

Bedrooms: 1

Bathrooms: 1

Lot Size: 0.12 Acres

Square Feet: 552 sq ft

Year Built: 1972

Stories: 1 Story

Construction: Vinyl Siding,Wood Frame

Subdivision: Mobel Americana Mobile Home Park Unrec

Foundation: Crawlspace

County: Pinellas

Room Information

Living Room: 11x12

Primary Bedroom: 11x12

Kitchen: 9x12

Full Baths: 1

Additonal Room Information

Laundry: Inside

Interior Features

Appliances: Washer, Dishwasher, Dryer, Microwave, Range, Refrigerator

Flooring: Wood

Basement: Crawl Space

Doors/Windows: Window Treatments

Additional Interior Features: Living/Dining Room, Window Treatments, Open Floorplan

Water: Public

Sewer: Public Sewer

Other Utilities: Municipal Utilities

Cooling: Central Air

Heating: Central

Exterior / Lot Features

Roof: Roof Over

Pool: Community

Additional Exterior/Lot Features: Storage, Buyer Approval Required

Waterfront Details

Standard Water Body: TAMPA BAY

Community Features

Community Features: Dock, Community Mailbox, Fishing, Fitness, Golf Carts OK, Recreation Area, Clubhouse, Dog Park, Sidewalks, Pool, Waterfront, Boat Facilities, Gated, Park

Security Features: Gated Community, Gated with Guard

HOA Dues Include: Common Areas, Pool(s), Security, Sewer, Association Management, Maintenance Grounds, Reserve Fund, Road Maintenance, Trash, Water, Taxes, Recreation Facilities

Homeowners Association: Yes

HOA Dues: $360 / Monthly

Driving Directions

On I-275, take Gandy Blvd exit to 4th St. Turn right to 72nd Ave. Turn left and community is ahead after crossing First St.

Financial Considerations

Terms: Cash

Tax/Property ID: 29-30-17-58340-000-6860

Tax Amount: 2253.77

Tax Year: 2023

Price Changes

Based on information provided by Stellar MLS as distributed by the MLS GRID. Information from the Internet Data Exchange is provided exclusively for consumers’ personal, non-commercial use, and such information may not be used for any purpose other than to identify prospective properties consumers may be interested in purchasing. This data is deemed reliable but is not guaranteed to be accurate by Edina Realty, Inc., or by the MLS. Edina Realty, Inc., is not a multiple listing service (MLS), nor does it offer MLS access.

Copyright 2024 Stellar MLS as distributed by the MLS GRID. All Rights Reserved.

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Sales History & Tax Summary for 503 Mount Piney Avenue NE #686

Sales history.

Tax Summary

Data powered by ATTOM Data Solutions. Copyright© 2024. Information deemed reliable but not guaranteed.

Schools nearby 503 Mount Piney Avenue NE #686

The schools shown represent both the assigned schools and schools by distance based on local school and district attendance boundaries. Attendance boundaries change based on various factors and proximity does not guarantee enrollment eligibility. Please consult your real estate agent and/or the school district to confirm the schools this property is zoned to attend. Information is deemed reliable but not guaranteed.

SchoolDigger ® Rating

The SchoolDigger rating system is a 1-5 scale with 5 as the highest rating. SchoolDigger ranks schools based on test scores supplied by each state's Department of Education. They calculate an average standard score by normalizing and averaging each school's test scores across all tests and grades.

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• Florida Real Estate
• Saint Petersburg Homes for Sale
• Crossroads Homes for Sale

7400 9th Ave N Saint Petersburg, FL 33710

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$599,000 Just Listed

• Single Family
• 3 Full Baths
• 1,171 Sq. Ft.
• Updated 1 day ago

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Saturday 8/31 11:00 AM - 4:00 PM

7400 9th Avenue N,Saint Petersburg, FL 33710

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Full Property Details  for 7400 9th Ave N

• Price: $599,000
• Taxes: $458 (2023)
• Status: Active
• Type: Single Family
• MLS ID: A4621460
• Updated: 8/27/2024
• Added to Site: 2 day(s) ago
• Number of Rooms: 5
• Interior Features: Built-in Features, Ceiling Fan(s), In Wall Pest System, Skylight(s), Thermostat, Window Treatments
• Appliances: Built-In Oven, Convection Oven, Cooktop, Dishwasher, Dryer, Microwave, Refrigerator, Washer
• Flooring: Ceramic Tile, Marble, Porcelain Tile, Vinyl
• Total Bathrooms: 3
• Full Bathrooms: 3
• Total Bedrooms: 2

Other Rooms

• Laundry: Electric Dryer Hookup, Washer Hookup

Additional Information

• Security/Safety: Security Fencing/Lighting/Alarms, Smoke Detector(s)
• Exterior Features: Irrigation System, Lighting, Outdoor Grill, Rain Gutters, Sidewalk, Sliding Doors, Storage
• Deck/Patio: Covered, Front Porch, Patio, Porch, Rear Porch, Screened, Side Porch
• Porch/Patio/Deck: Covered, Front Porch, Patio, Porch, Rear Porch, Screene
• Area: 33710 - St Pete/Crossroads
• County: Pinellas
• Development Name: 33710 - St Pete/Crossroads
• Subdivision: JUNGLE COUNTRY CLUB ADD TR 1 REP
• Driving Directions: From Admiral Farragut Academy on Park Street N, turn onto Country Club Rd N, RIGHT turn onto 9th Avenue N, home is 1.5 blocks on RIGHT side.
• Direction Faces: North
• Community Name: 33710 - St Pete/Crossroads
• Adult Community: Yes

Heating & Cooling

• Cooling Type: Central Air
• Heating Type: Central
• Sewer: Public Sewer
• Water: Public
• Utility Description: BB/HS Internet Available, Electricity Connected, Fire Hydrant, Phone Available, Sewer Connected, Sprinkler Well, Street Lights, Water Connected

Structural Information

• Architectural Info: Florida, Patio
• Architectural Style: Florida, Patio
• Exterior Const.: Vinyl Siding, Wood Frame
• Roof: Shingle
• Stories/Levels: One
• Square Feet: 1,171
• Sq. Ft. Source: Public Records
• Year Built: 1951

Lot Features

• Property View: Garden
• Lot Size (Acres): 0.21
• Lot Size (Sq. Ft.): 9,326
• Lot Size: 9326
• Frontage: Street Paved
• Street/Road Desc.: Paved

Financial Considerations

• Tax Amount: $458
• Tax Year: 2023

Disclosures and Reports

• Ownership: Fee Simple
• Special Conditions: None
• Legal Description: JUNGLE COUNTRY CLUB REPLAT THAT PART OF TRACT B DESC BEG NE COR OF SD TRACT TH N89D27'W 115.10FT TH S00D10'06"E 81.83FT TH N89D49'54"E 115.10FT TH N00D10'06"W 80.41FT TO POB
• Flood Zone Info: X
• Disclosures/Reports: Lead Paint, Seller Property Disclosure
• APN: 183116446580000020
• Property ID: 183116446580000020

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7400 9th Avenue N, Saint Petersburg, FL 33710 (MLS# A4621460) is a Single Family property with 2 bedrooms and 3 full bathrooms. 7400 9th Avenue N is currently listed for $599,000 and was received on August 27, 2024. Want to learn more about 7400 9th Avenue N? Do you have questions about finding other Single Family real estate for sale in Crossroads? You can browse all Crossroads real estate or contact a Coldwell Banker agent to request more information.

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