motorboating song meaning

Story Behind the Song: 'Pontoon'

What if someone heard Elton John's "Tiny Dancer," misheard the lyrics and wrote a hit song called "Hold Me Closer, Tony Danza?"

That's essentially what happened with Little Big Town's "Pontoon." Co-writers Natalie Hemby, Luke Laird and Barry Dean told the story behind the 2012 country hit to Bart Herbison of Nashville Songwriters Association International .

I get up this morning, and Little Big Town is on "Good Morning America." Of course they're doing that song. That song just keeps materializing; I hear it everywhere. It's already in some commercials, right?

Natalie Hemby: I don't know, but I hear it on the lake all the time, so that's a good sign.

This whole thing starts with the publisher confusing something that they thought you guys had written. Luke?

Luke Laird: Natalie and I had written a song that Miranda (Lambert) recorded called "Fine Tune." It was on her last album, and it's still one of my favorite songs the two of us have written. Somebody had overheard "Fine Tune" playing in an office at the publishing company or something, and another person came and asked Natalie, "What was that song of yours? 'Pontoon' or something?"

NH: It was kind of like that. It wasn't me. It was somebody else that they said it to. They called me and (said), "They thought that you were saying 'Pontoon.' " So I called Luke and said, "We should write this really obnoxious song called 'Pontoon,' to be funny.

LL: Of course Barry and I were like, "Yeah."

Barry Dean: For Natalie that probably is lyrically not the most meaty song, but she takes a special angle on the lyric, and we shaped it that way. And Luke had that groove, and the production of the record (by) Jay Joyce. It's hipper than you think it would be. It's kind of built like an old country song, and then produced like something a little fresher.

LL: It literally is one of those songs that we never could have imagined. It started in the room. We all reacted to it, and I feel like as a writer, you have to trust that.

Now, there's a story after the song. You (Natalie) went to buy a pontoon. This is priceless to me.

NH: Oh yeah. Well, if you're going to write a song about a pontoon, someone has to buy one. My husband loves boats, so we took the plunge. These two still haven't bought one, and now we're probably going to end up selling ours. We went to go buy a boat, and it's a nice new boat a guy was selling. He had to sell it because his wife was pregnant and they just moved here. We took a ride on the boat, and we loved it. We had my in-laws on there, and just as we were about to leave ... we came back to the dock, and I have to leave because my daughter is getting a little fussy. She sings, "Motorboatin' " as we're getting off the boat, and the guy was like, "Oh my God, that song is so awful." (laughs) ... Not everybody likes your song, and that's OK.

— Compiled by Dave Paulson, [email protected]

About the series

In partnership with Nashville Songwriters Association International , each week we will release a video interview with a songwriter about his or her work. See the full interview with Natalie Hemby, Luke Laird and Barry Dean at www.tennessean.com/music along with past installments.

Behind the Song: Little Big Town, “Pontoon”

Doug Waterman

Updated: 

Videos by American Songwriter

Written by: Barry Dean , Natalie Hemby, Luke Laird Recorded by: Little Big Town Peak Chart Position: No. 1 Billboard Country

What’s a typical day like in the life of Barry Dean? 

Dean : They’re probably like most people — busy, I have four kids. I write almost every day. Then you’re finishing songs up or you’re in the studio finishing and recording songs. You’re always trying to read and experiment with new sounds and grooves to create the next thing. It’s an “all in” sort of career.

When and where did you, Natalie and Luke write “Pontoon?”

It was started in a writing room at Universal Music, but we didn’t get very far. First verse, a few lines of chorus, but the music was clear. It was months later before the three of us got back together because our calendars were crazy. We met at Luke’s office and it was right around the time Natalie was going to have her baby. We got together for a few hours, finished the chorus first, then wrote the second verse and bridge. They were both fun days.

How much or how little did you edit it, during or afterward? Were there any phrases or words you can remember that were especially tough to make a final decision on?

There wasn’t a whole lot of editing afterward. The notable change was that the original first line was “back that bitch up into the water” which got changed to hitch. I don’t think we saw the motorboatin’ line as big a deal as it became. We just thought it was fun.

Could you tell us some of the back story of the song? Did you guys demo it or simply worktape it? How did it end up getting to Little Big Town, getting cut and becoming the single?

It was the first time the three of us had written together. We had each written with the other, but we were excited to get to write together. Natalie and Luke had a song recorded by Miranda Lambert called “Fine Tune.” Natalie was telling us a story about a guy who mistakenly referred to “Fine Tune” as “Pontoon.” When she said that, Luke and I looked at each other, then we all knew. Luke started playing the groove. I started playing bass on a synth. Pretty soon Natalie sang the first line of the song. When we got back together to finish it – which was really writing it — we used the same track we’d started. It was essentially a drum groove, electric guitars, and a bass line. Natalie who was quite pregnant sat on the couch, held an SM58 and sang it once, and that was the work tape.

Luke and I were both signed to Universal and they pitched it to a couple of artists. We both became a part of Creative Nation. Even though Universal owns the song, Beth Laird (co-owner of Creative Nation) thought it would be great for Little Big Town and she pitched it. As far as the cut and the single, you can’t overestimate how great Little Big Town actually is. They did that whole Tornado album in a couple of weeks. It’s incredible. Jay Joyce’s production is incredible. It sounded different and fresh. Also, the opening lick was played by Jedd Hughes on the mandolin and Jay Joyce doubled it with a mellotron mandolin sample. That lick is incredible.

What do you enjoy most about writing songs in general?

I love coming up with or finding that inspiration for the song. I love helping artists say what they want to say or find that fresh thing they’re looking for. I see myself as some sort of extension of or part of their team. I’m on their side. Hopefully I’m helping them answer “what could it be?” or get where they want to go. It’s a great blessing to have this job. I work mostly with friends, and we have a lot of fun. It’s a lot of hours, but it’s worth it. I like going out on the road and writing with artists in their world with their fans.

What was the overall experience like, collaborating with Natalie and Luke?

The three of us are a great team. We try to write together as much as possible. Luke is pretty well known for being a whole lot of fun, and if the three of us are together, there’s a lot of laughing going on. Our interactions are a lot like brothers and sisters in every good way. I think Natalie is known for having really strong concepts and she’s driven to write these very air-tight songs. And her vocals… she just brings groove and emotion (you should ask Luke and Natalie what I do). Really in that atmosphere you’re trying to do something interesting and different. Fresh. And we all kind of believe if there’s a way to do it we can figure it out.

Do you have any words of wisdom or advice for aspiring or newly professional songwriters? Is there a particular period or moment in your career when you were faced with adversity or doubt and had to dig deep to stay the course? 

My mentor used to say “creativity is an act of courage.” So the whole journey is about continuing to learn and push yourself and being open. I think it’s important to remember that this is supposed to be fun. I think in the race to learn the craft and study the business, I would just remind you to have fun. It’ll connect you more to the music and ideas. It’ll be fresher, and that will lead to good things.

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Meaning of Pontoon by Little Big Town

Little Big Town

Listen to the full song on Apple Music

"Pontoon" by Little Big Town captures the carefree spirit of summer days spent out on the water. The song conveys a sense of relaxation, enjoyment, and camaraderie as the lyrics paint a vivid picture of friends having a good time on a pontoon boat.

In the verses, the lyrics describe the act of preparing the pontoon for a fun day out on the lake. Lines like "Back this hitch up into the water / Untie all the cables and rope" set the scene of launching the boat into the water. The choice to float instead of ski signifies a preference for a more leisurely and laid-back experience. The imagery of "astro turf" and "coozie" adds a touch of nostalgia, hinting at the simple pleasures and comforts of summertime relaxation. The chorus celebrates the joy of being on the pontoon, with references to "making waves and catching rays," showcasing the sense of freedom and enjoyment that comes with spending time on the water. The repetitive refrain of "motorboating" serves as a playful and catchy way to emphasize the fun and carefree atmosphere of the song.

The bridge introduces more specific details about the pontoon, such as its features like "aluminum side" and "wood paneling with a water slide," contributing to the song's imagery and enhancing the listener's visualization of the experience. The repeated "Hoo hoo hoo" in the bridge and outro adds a sense of spontaneity and lightheartedness to the song, further emphasizing the carefree and joyful mood.

In summary, "Pontoon" by Little Big Town paints a vivid picture of a summer day spent on a pontoon boat, emphasizing the joy, relaxation, and camaraderie that come with such experiences. The lyrics evoke a sense of nostalgia for carefree days spent outdoors, celebrating the simple pleasures of leisurely activities and bonding with friends in a picturesque setting. The song captures the essence of summer fun and serves as a feel-good anthem for enjoying the simple joys of life.

This meaning interpretation was written by AI. Help improve it with your feedback

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Little Big Town Tell How They Motorboated Past the Competition: ‘Pontoons Are Sexy, People!’

Country fans do like their outdoor leisure lifestyle anthems, and while there'd been (and still are) a million songs about trucks, watercraft songs have mysteriously been in non-existent supply. How is it no one got to this particular no-brainer any sooner than Little Big Town?

"Pontoons are sexy, people!" declares Karen Fairchild, making an assertion no chart-watcher should dispute, since "Pontoon" became the country anthem of the summer.

"I think people call it 'The Motorboatin' Song,' too," points out Jimi Westbrook. "I was doing some (radio) interviews and they were like 'Yeah, they were calling it for that motorboating song.' So maybe that helped it, too," he says, alluding to the song's slightly risqué connotations.

Adds Kimberly Schlapman, "It certainly didn't hurt." Enough said. Or enough, um, suggested.

"Pontoon" is one of seven songs Little Big Town played at an exclusive Ram Country gig at the Roxy, which is now up in its entirety at Yahoo! Music. On their bus before the show, the four members of the group told us about the making of their just-released fifth album, Tornado , and its ubiquitous lead single.

A lot of country music fans were shocked a few weeks ago by the news that the platinum-selling "Pontoon" had become Little Big Town's first No. 1 single. Not because anyone would have expected any lesser chart position for the song that became a summer phenomenon… but shocked because it was difficult to believe that their previous "signature song," "Boondocks," never reached the top when it came out in 2005, even though that classic's ongoing radio play would make anyone think that'd been a No. 1.

"It only went to No. 8 or 9 or something like that," points out Schlapman. She's right: "Boondocks" peaked at No. 9, shockingly. "But a lot of people think it was a No. 1, which is fine with us, because it was a big ole hit."

"We don't correct 'em," laughs Westbrook. "It's been the song that has taken us to the party..."

"And now with 'Pontoon,' it's given us another big song that people just light up about. When we start the first lick in the beginning of the song, the crowd just goes crazy. And that's a testament to them hearing it a lot ."

"I don't think we've ever been sure we would have a No. 1," Westbrook says, but "after we cut the track, our producer at one point kind of joked when he said, 'That sounds like a big hit just ready to pick off the hit tree!'"

Although "Pontoon" has an ever-so-racy feel to it, the most sensual track from their current crop is "Tornado," as you'll see from Fairchild's sexy reading of the track in the band's Roxy performance. That one may or may not be a future single, but there was a different reason they made it the title track.

"The album being titled Tornado I think is just reflective of the process we went through recording it," Westbrook says. "And, too, there was like a storm brewing—a good storm brewing—in our camp of positive changes. And we did the record so fast, really, that it felt like a storm that came and went and it was gone. It was such a really interesting process—new for us."

The album was done in "three weeks, top to bottom," says Fairchild, "but most of it in seven days." "Which for us is unheard of," adds Schlapman. "We rehearsed for four days really hard, then for the next three days we cut the record. At the end of seven days, we couldn't believe we might be done! Crazy." Says Schlapman, "We didn't plan on doing it that quick. We allowed a lot of time. But it was going so well that we decided that we shouldn't belabor things, and should just go with it when it felt right, and go with our gut and Jay (Joyce)'s gut, our producer. And it worked, so we were like, 'Hmm, we're done, I think!'"

Working with a producer other than their long-time helmer Wayne Kirkpatrick was one switch. Working fast was another. A third change: "Our live band played on this record with us," Philip West points out. "We've done that on a couple of songs before, but not the entire album. We all cut it at the same time, right there in the same room. For me personally, I feel like I feel that energy that we were experiencing as it was going down. It was just like playing a live show."

And a fourth big switch on Tornado : help from a plethora of big-name Music Row songwriters, including Natalie Hemby, Luke Laird, Liz Rose, and the Warren Brothers. The band members did co-wrote five of the 11 tracks on Tornado , but that's fewer than on any of their previous four albums. Obviously that approach has paid off, as "Pontoon," for one, was an outside pick.

Their approach going in to recording the new album was "just that we were gonna be wide open about songs, and we weren't gonna have ego or be too precious about anything," Fairchild says. "It didn't matter where the song was going to come from. It just had to feel right and then we were gonna cut it. We always try to write most of the material for a record, but we just let ourselves be open this time. And we started building the record from songs that we found—which is unusual."

Fairchild points out that "after we started writing with people that we'd never written with before, Natalie (Hemby) came in with this amazing idea of doing something that we had never done before, which is kind of duets within the band. So 'Night Owl' is the song that we wrote that day. That was her melodic idea, to have the guys sing and then Kimberly and I sing and never really join until we got to the bridge... We just got really inspired by the community and being so wide open ourselves, personally. I think you can hear that on our record. There's an energy there and some spontaneity there that's been good for us."

The most striking use of the duet form on Tornado is the bittersweet ballad "On Your Side of the Bed," which all four band members co-wrote with Americana fave Lori McKenna. It's sung as a back-and-forth by Fairchild and Westbrook.

"I love that moment on the record and in the live show," says Schlapman, "because Karen and Jimi are married, of course. That's not an autobiographical story of their lives, but I think everybody can identity with that point in a relationship where you're going 'Hey, here I am! I'm over here!' It's beautiful. And that chorus, which is just a cry out for help, when we get there every night, it's such an emotional thing."

Schlapman has previous described the band, which has been together for 13 years, as "like an old married couple." Don't they know that sounds a little bit mathematically improbable?

"It does," Schlapman laughs, "but we all know exactly what that means. We've been together so long, we're a family—that might be a better way of saying it."

"An old happily married couple," clarifies Fairchild.

"Yeah, we are a living, breathing country song, aren't we?" Westbrook wonders aloud.

"But we can read each other's minds, almost," Schlapman says. "We really don't have to speak a whole lot, especially Karen and I."

"The girls are scary," Westbrook says.

"We can literally talk to each other without saying a word at this point," Fairchild says. "One night when I got really hoarse on tour recently, I lost my voice, and I was trying to make it through the show for the fans. And I wanted her to help me go for this big note with me. So I just turned around, and she was up on this riser playing tambourine, and I thought 'Oh dear God, please help me,' and she did. We just did it together. I couldn't really tell her what I was wanting to verbalize, so I just looked at her like 'Are you understanding what's going on here,' and she gave me that 'I get it—I know what you're saying' look. So, yeah, that's the beautiful thing about having a longtime girlfriend."

"It's a little freaky," says Sweet.

"Even for the two of us, we're still outside of that," admits Westbrook. "I don't know how that works."

The band has been together for 13 years, but Fairchild and Schlapman have been friends for 25 years. Does that mean the two guys are still always perpetually 12 years behind, somehow?

"But isn't that always how guys are?" asks Schlapman.

"They pay attention if you say things like motorboatin' ," says Fairchild. "You know what I mean. All of a sudden they go, what?"

"Yeah, when those superpowers are used against us, we don't have a chance," Westbrook admits. "Bottom line."

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Pontoon by Little Big Town

• I back this hitch up into the water Untie all the cables and rope Step onto the AstroTurf Get yourself a Koozie Let's go Who said anything about skiin'? Floatin' is all I wanna do You can climb the ladder Just don't rock the boat while I barbeque On the pontoon Makin' waves and catchin' rays up on the roof Jumpin' out the back, don't act like you don't want to Party in slow motion Out here in the open Mm, motorboatin' (Hoo hoo hoo) Reach your hand down into the cooler Don't drink it if the mountains aren't blue Try to keep it steady as you recline on your black inner tube Pontoon Makin' waves and catchin' rays up on the roof Jumpin' out the back, don't act like you don't want to Party in slow motion Out here in the open Mm, motorboatin' (Hoo hoo hoo) (Hoo hoo hoo) Five mile an hour with aluminum sides Wood panelin' with a water slide Can't beat the heat, so let's take a ride On the pontoon Makin' waves and catchin' rays up on the roof Jumpin' out the back, don't act like you don't want to Party in slow motion I'm out here in the open Mm, motorboatin' On the pontoon (Hoo hoo hoo) On the pontoon (Hoo hoo hoo) I back this hitch out into the water On the pontoon (Hoo hoo hoo) (Hoo hoo hoo) Writer/s: Barry Dean, Luke Laird, Natalie Hemby Publisher: CONCORD MUSIC PUBLISHING LLC, CTM OUTLANDER MUSIC LP, Reservoir Media Management, Inc., Sony/ATV Music Publishing LLC, Universal Music Publishing Group Lyrics licensed and provided by LyricFind
• More songs from Little Big Town
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• Little Big Town Artistfacts

Comments: 2

• Cb from Ca Little Big Town's song Pontoon is a track mix disaster for the bass guitar track! It fades in and out of existence at the start of the song, blurps in real quick, then fades till a little bit later in the song.
• Camille from Toronto, Oh June, 2012. I just saw this video on TV today and can tell it's gonna be a BIG hit for a group that well deserves it. They have a fabulous sound and the video is perfection. Way to go!

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The Meaning Behind The Song: Motorboat by Tory Lanez

Motorboat by Tory Lanez is a popular R&B hit that captivates listeners with its catchy beat and smooth vocals. Beyond its surface appeal, the song delves into deeper themes and meanings. It explores the complexities of relationships, the desire for emotional connection, and the intense emotions that can arise in intimate moments. Through its poetic lyrics and emotive delivery, Motorboat resonates with audiences and leaves them reflecting on their own experiences with love and desire.

Table of Contents

Frequently Asked Questions about Motorboat

1. what inspired tory lanez to write motorboat.

The inspiration behind Motorboat stems from Tory Lanez’s personal experiences and observations of relationships. He wanted to create a song that would capture the raw emotions and intensity that can arise between two people in intimate moments. Through Motorboat, he aims to convey the desire for genuine connection and the power of human touch.

2. What is the significance of the title, Motorboat?

The title of the song, Motorboat, is a metaphorical reference to the act of “motorboating,” which is slang for when a person places their face between someone’s breasts and blows air, resulting in a vibrant sound. In the context of the song, the title represents the passion and intense pleasure experienced in a physical relationship.

3. How does Motorboat explore the complexities of relationships?

Motorboat delves into the complexities of relationships by depicting the emotional highs and lows that often come with intimate connections. The song acknowledges the inherent vulnerability and risk involved in opening oneself up to another person. It explores the longing for emotional intimacy and the challenges of navigating the intricacies of love and desire.

4. What emotions does Motorboat evoke in listeners?

Motorboat evokes a range of emotions in listeners, from desire and passion to vulnerability and longing. The smooth and melodic vocals, combined with the captivating beats, create an atmosphere that allows listeners to connect with their own experiences of love and intimacy. The song elicits both a sense of excitement and introspection, drawing listeners into its deeply emotive narrative.

5. What impact has Motorboat had on Tory Lanez’s career?

Motorboat has played a significant role in further establishing Tory Lanez as a talented artist in the R&B genre. The song’s popularity has garnered widespread recognition and solidified his reputation as a skilled songwriter and vocalist. Motorboat’s success has contributed to the growth of his fanbase and opened doors for further artistic collaborations and opportunities.

6. How does Motorboat compare to Tory Lanez’s other songs?

Motorboat stands out from Tory Lanez’s other songs due to its sensual and intimate nature. While he is known for his versatility as an artist, Motorboat showcases his ability to create emotionally charged and passionate tracks. It strikes a balance between vulnerability and confidence, allowing listeners to connect with the rawness of the song’s themes.

7. What is the message behind Motorboat?

The message behind Motorboat revolves around the importance of genuine connection and the power of intimate moments. The song encourages listeners to embrace their desires and be open to emotional vulnerability. Through its lyrics, Motorboat reminds us of the significance of being present in intimate relationships and cherishing the genuine connections we share with others.

8. How does Motorboat contribute to the R&B genre?

Motorboat adds depth and richness to the R&B genre by addressing themes of love, desire, and vulnerability. It combines smooth vocals, captivating melodies, and evocative lyrics to create a sensory experience for listeners. Motorboat showcases the genre’s ability to create meaningful and emotionally charged music that resonates with audiences on a deeply personal level.

9. Can Motorboat be interpreted in different ways?

Yes, like any form of art, Motorboat can be open to interpretation. While the song explicitly explores themes of love and desire, listeners may connect with it in their own unique ways. The emotions and experiences evoked by the song can vary from person to person, allowing for individualized interpretations and personal connections to the music.

10. What sets Motorboat apart from other R&B songs?

What sets Motorboat apart from other R&B songs is its ability to capture the complexity of human emotions within intimate relationships. The song’s raw lyricism, delivered with Tory Lanez’s distinct vocal style, distinguishes it from other tracks in the genre. Motorboat’s memorable melodies and lyrical depth make it a standout piece in the R&B landscape.

This article aims to shed light on the profound meaning behind Motorboat by Tory Lanez. From its exploration of relationships to its emotional impact on the listener, the song serves as a testament to the power of music to evoke strong emotions and connect individuals on a deeper level. Motorboat continues to resonate with audiences worldwide, solidifying its place as a beloved track in the R&B genre.

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"Pontoon" lyrics

• Little Big Town Lyrics

Motor Boating Song: The Soundtrack of Summer

There’s something undeniably thrilling about the feeling of wind whipping through your hair, the sun on your face, and the spray of the water as you zip across the waves. It’s a feeling that’s been immortalized in countless songs, but there’s a specific subgenre dedicated to the joys (and occasional mishaps) of motorboating: the motor boating song.

From Classic Crooners to Beach Boys:

The motor boating song has a rich history, stretching back to the early days of popular music. In the 1930s and 40s, artists like Bing Crosby and Frank Sinatra crooned about carefree days spent “out on the briny with the moon in my hair” ( https://www.youtube.com/watch?v=JjSNTKh8Xvo ). These songs painted a picture of motorboating as a luxurious pastime, a way for the social elite to escape the hustle and bustle of city life.

Shifting Gears: The Rise of Rock & Roll

The 1950s and 60s saw a shift in the motor boating song, coinciding with the rise of rock & roll. The Beach Boys, the undisputed kings of summer jams, embraced the theme in iconic tunes like “Surfin’ U.S.A.” and “Boatin’.” ( https://www.youtube.com/watch?v=2s4slliAtQU ) ( https://www.youtube.com/watch?v=aLfpyMRMg-w ) These songs captured the youthful energy and rebellious spirit associated with cruising the coastline in a motorboat.

Beyond the Beach Boys

Of course, the motor boating song isn’t limited to surf rock. Artists across genres have paid homage to the joys (and sometimes perils) of life on the water. Jimmy Buffett’s laid-back island sound perfectly complements the motor boating lifestyle in songs like “Margaritaville” ( https://www.youtube.com/watch?v=ue2-ZVxpVjc ), while Kenny Chesney’s “Get Another Boat” ( https://m.youtube.com/watch?v=vwZfQSLxg3U ) injects a dose of country charm with its tale of a less-than-successful boating adventure.

Thematic Staples of the Motor Boating Song

While the sound of the motor boating song has evolved over time, some thematic staples remain constant. Here are a few key ingredients:

• The Escape: Motorboating represents freedom and a break from routine. Songs often depict the open water as a place to leave worries behind and soak up the sun.
• The Romance: There’s a natural romantic element to cruising on a boat, especially for couples. Many motor boating songs evoke a sense of intimacy and connection against the backdrop of the ocean.
• The Party Vibe: Motorboating is also associated with fun and celebration. Songs often depict lively gatherings on the water, complete with music, drinks, and good company.
• The Occasional Mishap: Not every boating trip goes according to plan. Some motor boating songs add humor by chronicling mechanical issues, getting lost at sea, or other unexpected situations.

A Timeless Genre

The motor boating song continues to resonate with listeners today. Whether it’s a classic crooner or a modern country hit, these songs capture the essence of a carefree summer day spent exploring the vastness of the ocean on a motorboat. So, the next time you find yourself cruising along the waves, crank up your favorite motor boating song and let the good times roll!

Happy Boating!

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What is the meaning of the term 'motorboating' and what is its origin?

The term "motorboating" has two distinct meanings.

The first meaning refers to the activity of traveling in a motorboat [2] . This is the literal definition of the term and is commonly used in the context of recreational boating or water sports.

The second meaning, which is more commonly known as slang, refers to a sexual act. It involves placing one's face between a woman's breasts and making a noise like a motorboat by rapidly moving one's head from side to side [1] [2] . This slang term is often used humorously or in a playful manner.

Origin: The origin of the term "motorboating" in the context of the sexual act is not well-documented. However, it is believed to have emerged as a slang term in popular culture, possibly in the late 20th century or early 21st century. The act itself is a playful and humorous gesture, and the term likely originated as a way to describe the sound and motion made during the act, which resembles the noise and movement of a motorboat.

Learn more:

• What does motorboating mean? How did the term originate?
• motorboating - Wiktionary, the free dictionary
• Where did the term motorboat come from? | AnandTech Forums: Technology, Hardware, Software, and Deals

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Definition of motorboat

Verb - transitive.

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Motorboatable

The motorboat, motorboatable.